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 Jonathon Delacour

Travelling on Foot

Cover of Herzog on Herzog, showing tight head shot of the director

In my teenage years, desperate to bridge the gap between hope and fear, I would walk long distances. When I “should have been studying”, I would walk for hours. Perhaps, if I had been more willing to participate in team sports, I might have been too sore and weary to be so deeply troubled by hopes and fears. Yet I didn’t walk to become sore and weary so much as to escape from home, from school, from the Catholic Church. I had discovered the pleasure of solitude.

When I was a photographer, many of my self-assigned projects required walking.
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300

As I sat in the theater a few nights ago with my friends, G and P, desperate for 300 to end, I kept thinking of John Robb’s description of the film as absolutely amazing… So unrelentingly great that it has earned a permanent place in my top 10 movies of all time.

Wherein lay the “greatness”, I wondered, and how had I managed to miss it?

Good works of art frequently provoke polarized responses. For example, James Rocchi’s review, cited in John Robb’s comments:

There are many reasons to see 300. Maybe you’re a 14-year old with a love of violent entertainment. Or you’re a classics professor who longs to...
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Hello world!

It’s been two years to the day since my last post.

I’d intended to come back to weblogging before this–especially since Dave Rogers predicted that I would “post something” before the end of 2006. For, even though I wasn’t writing for my own weblog, I never stopped reading weblogs. In fact, weblogs have been my primary source of information since I stopped reading newspapers, listening to the radio, and watching broadcast TV after the Federal election in October 2004.

Much of my spare attention since I stopped weblogging has been taken up with watching (and thinking about) movies and–since July last year, when I bought a Ricoh GR Digital camera–taking (and thinking about) photographs. In...
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